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Seminar 3 The Oakland Dialogue Youth Development and the Oakland Projects 'Just as there is no complete ideal work, there is no ideal generalised spectator' The issue of quality in socially engaged practice Controlling the conditions for art The profiling of artists and participants Relinquishing Power Metrics and Renumeration The participant's perspective of involvement Speaking Out Imperfection and authorship Working across cultures Emotions and Democracy Sustainability Educating the Artist
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