REFERENCES
Berger, John (1984) And our faces, my heart, brief as photos. London, Writers and Readers.
Gardner Troy, Virginia (1999) Thread as Text: The Woven Work of Anni Albers. In: N. Fox Webber and P. Tabatabai Asbaghi, ed. Anni Albers. New York, The Solomon R Guggenheim Foundation. p. 28-63.
Gombrich, Ernst H. (1984) The Sense of Order: A study in the psychology of decorative art. Second edition. London, Phaidon Press Limited.
Hull, Alistair and Luczyc-Wyhowska, Jose (1993) Kilim: The Complete Guide - History, Pattern, Technique, Identification. London, Thames and Hudson.
Murray, Kevin (2000) Loom, exhibition catalogue. Craft South, Adelaide.
Myerson, Jeremy (1997) Tornadoes, T-squares and technology: can computing be a craft? In: P. Dormer, ed. The Culture of Craft. Manchester and New York, Manchester University Press. p. 176-186.
Wortman Weltge, Sigrid (1993) Bauhaus Textiles: Women artists and the Weaving
Workshop. London, Thames and Hudson.
TRADEMARKS
Adobe, Illustratorand Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
BIOGRAPHICAL DETAILS – KT DOYLE
STUDIES
2000-2002 |
Master of Fine Arts by Research, Faculty of Art and Design, Monash University, Melbourne |
1999 |
Bachelor of Fine Arts (Honours), Faculty of Art and Design, Monash University, Melbourne |
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Master Class in Victorian Tapestry Workshop Practice, Victorian Tapestry Workshop, Melbourne |
1987-1989 |
Bachelor of Fine Arts, Queensland College of Art, Griffith University, Brisbane |
1991-1996 |
Study tours in Europe and India |
INDIVIDUAL EXHIBITIONS
2002 |
Acid Weave, Craft Victoria, Melbourne |
2000 |
Product Launch, CQ Store (Craft Qld, Brisbane), Object Stores (Sydney) |
1997 |
When the roses fit, wear them,Doggett Street Studio, Brisbane |
1996 |
Cinq Chaises a la Chaise au Plafond, La Chaise au Plafond, Paris, France |
1995 |
Conference, rue du Tresor, Paris, France |
1990 |
I've got nothing to fear,Galerie Brutal, Brisbane |
|
What are you waiting for?Galerie Brutal, Brisbane |
GROUP EXHIBITIONS
2003 |
MAPS (Mind Arts Project Stockport), Stockport, UK |
2000 |
The Decade Show, Faculty of Art and Design Gallery, Melbourne |
|
Emerging Artists Exhibition Program, Bulle Galleries, Melbourne |
1999 |
Evidence, Faculty Gallery, Monash University, Melbourne |
|
The D Block Show, Faculty Gallery, Monash University, Melbourne |
|
Search, Monash University Gallery, Melbourne |
1998 |
City of Hobart Art Prize,Hobart Town Hall, Hobart |
|
Suite,Smith and Stoneley on Stratton, Brisbane |
1997 |
The Big Deal,Doggett Street Studio, Brisbane |
|
Gold, Frankincense and Myrrh,Smith and Stoneley on Stratton, Brisbane |
|
Soap Opera,Soapbox Gallery, Brisbane |
|
Das Subjekt,Soapbox Gallery, Brisbane |
1996 |
Whitebox Christmas Show,Whitebox Gallery, Brisbane |
1995 |
Essence (Mail Art), Queensland College of Art Gallery, Brisbane; Toowoomba Regional Gallery, Toowoomba |
1994 |
Churchie Emerging Art Award,Church of England Grammar School, Brisbane |
1993 |
Reactive/Reaktive (Fax Art),Hamburg, Germany/Sydney, Australia |
1992 |
AvantGARD,Space Plentitude, Brisbane |
1991 |
The colour of air,Galerie Brutal, Brisbane |
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The ideal copy,Galerie Brutal, Brisbane |
|
Tea dance,Crafts Council of Queensland, Brisbane |
1987-1990 |
Various Group Exhibitions |
BIBLIOGRAPHY
Killen, S, “Pillow Talk”, The Courier Mail, November 4, 2000
Jensen, S, “k.t.doyle: when the roses fit, wear them”, Eyeline, no. 42, Spring 1997, p34
Smith, S, “Dark Heart of Fashion”, The Courier Mail, May 24, 1997, Arts Review |
AWARDS
2003 |
Ian Potter Cultural Trust Grant, Ian Potter Foundation, Melbourne |
2000-2002 |
Monash Graduate Scholarship, Monash University, Melbourne |
2000 |
Monash Postrgraduate Research Travel Grant, Monash University, Melbourne |
1999 |
Encouragement Award, Victorian Tapestry Workshop, Melbourne |
PUBLICATIONS
Afternoon Gestures-Tapestry Anecdotes”, International Tapestry Journal, no. 1, April 2000, p22-3
Perfectionist is not a Dirty Word”, International Tapestry Journal, vol 3, no. 1, April 2000, p12-3
Perfectionist is not a Dirty Word”, Textile Fibre Forum, vol 19, issue 2, no. 58, 2000, p26-7
Steven Carson & Marc Sauvage”, Eyeline, no. 12, Winter 1990, p42-3 |
COLLECTIONS
Department of Employment, Vocational Education, Training and Industrial Relations, Brisbane
Various private collections in Australia and Europe |
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