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Gilbert Riedelbauch
Australian National University, School of Art, Australia

Craft and new technologies, implications for practice:
A match made in heaven
 
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References

[1] Margaret Kirkwood. Response as part of the interact on-line forum.

www.craftaustralia.com.au/phorum/read.php?f=9&i=20&t=14#reply_20

Accessed 6/7/04, 9:30 am.

[2] www.americancraftmuseum.org/DefiningCraft/definingcraft_main.asp

Accessed 8/7/04, 1:44 pm.

[3] The League of New Hampshire Craftsmen, Craft in the Digital Age,

www.nhcrafts.org/DigitalConf.htm

Accessed 1/7/04, 11:35 am.

[4] Karl Chitham on the web-site of artists alliance in New Zealand

www.artistsalliance.org.nz/html/comment_display.php?documentCode=808

Accessed 8/7/04, 3pm.

[5] Phillipa Aitken, The Integration Of New Media Technology In Craft Practice,

www2.rgu.ac.uk/criad/tactics2.htm

Accessed 12/7/04, 10:05 pm.

[6] Ann Marie Shillito, Tacitus Project, www.pixelraiders.org/

Accessed 7/7/04, 3:10 pm.

[8] Stratasys Inc web-site

www.statasys.com

Accessed 1/7/04, 11:55 am.

[7] Michael Rees website, www.michaelrees.com/articles/ARTandRP.html Accessed 1/7/04, 3:50pm.

[9] Malcolm McCullough, Abstracting Craft: The Practiced Digital Hand.

www.amazon.co.uk/exec/obidos/tg/stores/detail/-/books/026263189X/reviews/202-5418434-8943058

Accessed 13/7/04, 9:50 am.
 
   
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