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Gilbert Riedelbauch
Australian National University, School of Art, Australia

Craft and new technologies, implications for practice:
A match made in heaven
 
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This paper leads from a definition of contemporary craft to integration of new technologies in craft practice. Based on practical research into the application of Rapid Prototyping technology together with silversmithing the significants of control over all aspects of these new technologies is presented. The author claims that creative integration of limitations and idiosyncrasies of digital technologies and processes can lead to new work able to extend the boundaries of craft.

Keywords

Contemporary craft, Rapid Prototyping, Fused Deposition Modelling, New Technologies, Craft Practice, Haptic Device.


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